| 1 | Choose whether the night is a small member social, community event, concert or fundraiser, then confirm venue conditions, likely music-licensing category, budget and accessibility before inviting performers. | Event producer and club treasurer | Eight weeks before the event | An event classification, provisional licence path, budget and access brief |
| 2 | Invite performers and selectors privately, ask what they wish to share and agree repertoire, context, attribution, payment or expenses, equipment, content limits and withdrawal terms. | Performer liaison | Six weeks before the event | Voluntary contributor agreements and a provisional program |
| 3 | Complete the required music-licence enquiry and venue approvals, document the repertoire information that must be reported and remove any proposed use whose rights cannot be confirmed. | Event producer and licence contact | Four weeks before the event | A licence and rights record with reporting responsibilities |
| 4 | Test stage access, sound levels, hearing support, lighting, seating, quiet-space signage and emergency movement, and prepare readable context cards or transcripts for spoken and recorded material. | Venue and accessibility lead | One week before and at sound check | A completed venue, sound and accessibility check |
| 5 | Open with the participation, sound, photography and recording choices, introduce each contribution in the agreed words and provide a low-sound or step-out option without drawing attention to the person using it. | Event host and floor team | During the event | A hosted social night within performer and participant boundaries |
| 6 | Complete licence reporting and payments, thank and pay contributors as agreed, delete unauthorised recordings, close concerns and decide whether the format should continue after performer and participant feedback. | Event producer and club sponsor | Within ten business days | Licence closeout, contributor closeout and a documented repeat decision |