| 1 | Approve one editorial question and audience, the voices and evidence needed, exclusions, rights and safeguarding roles, access standard, channels, removal service and end date. | Producer and club board sponsor | Twelve weeks before filming | A controlled culture-video brief |
| 2 | Invite contributors and community partners privately, discuss purpose and power, record layered choices and assess people, places, cultural material and third parties requiring separate authority. | Producer, community liaison and contributors | Ten to eight weeks before filming | Informed participation and authority plans |
| 3 | Research and storyboard the agreed account, verify material claims, design captions, transcript and audio-description needs and clear locations, archival material, logos, music and other rights before capture. | Editor, accessibility lead and rights checker | Eight to four weeks before filming | A verified and accessible production plan |
| 4 | Film only the approved people, places and activities, restate choices, protect non-participants and private material and stop immediately when consent, safety or cultural authority is uncertain. | Director and safeguarding contact | Filming days | A bounded source-footage and consent log |
| 5 | Edit for accuracy and dignity, complete captions, transcript and audio description, clear all rights and give each contributor and relevant community authority the agreed material for approval. | Editor, access and rights leads | Within four weeks of filming | An approved accessible master and derivatives |
| 6 | Publish only to approved channels, monitor correction and removal requests, report use to contributors and delete raw, rejected, expired and withdrawn material under the agreed schedule. | Publisher and records owner | At publication and scheduled review | A traceable video and rights closeout |